Some of my gigs, great places and audience!

Julie Kertesz, "Winner of Silver Comedy Best Newcomer 2012"
I have been to 77+ successful gigs including :

Pirate Castle, 1st showcase for Comedy School Workshop, March 2011, killed, video
Pirate Castle, returned 7' after 18 month: killed again with much new material
Amuse Mouse Covent Garden 1nd showcase for Stand &Deliver Workshop, end May, video
Laughing Horse's Showcase Sept. Brixton (120!!) and Green park (40) and Islington (5); video
Cavendish Arms, Stockwell 4 x (great, twice I killed, 1st price cup home
Comedy in Tooting 3 x, (Won a cup, next time I opened & warmed up, next 2nd)
5 Minutes of Fame, Camden Head near Angel in Islington (Back after 6 month, killed 40th)
Jester, Jester (inscription in place) a quiet Monday good welcome, video
Silver Comedy, 2LeicesterWon "Silver Comedy Best Newcomer of 2012"
Up the Creek, Greenwich Birthday gig! 78... Killed
Stand & DeliverCanterbury 10 ' Come back!
T Bird; Comedy Bin, N42DX - What a welcome!
Golden Jester , Semifinalist Belushi's Greenwichin Camden Winner of Quater Final 3x
Lion's Den, 3x Rumba bar, Picadilly I killed! "Julie made my day!", 4th ann. and a special 10' invit
Touching Cloth, The dead comedian socs (A video taken) - went back for Hackers night, Great!
Alchemist Bar, near Clapton Jonction, 7' (Comedy bin) good welcome, few audience
Electric, Westminster Red Lion, Parlement str Mondays ("come back!") 3 x "come back"
Way out West Comedy in Brentford (Great welcome)
The Star of Kings, 126 York Way, near King Cross (8') "Come back soon!
Stag's Head, Huxton, Humorous Story, not "comedy gig" 10' went great 
Sitdown Standup, at the Plumbers Arms SW1W 0LN - great video taken, opening night
Pear Shaped my 30th Gig!!! The FITZROY Tavern, 16a CHARLOTTE ST, W1T 2NA
'New Yorker in Paris', Bld Bonne Nouvelle, great gig and welcome, in English, in Paris, 7 ' good!
BrianstormGreenwich, Brian is an new, very warm host and organizer
Monkey business, NW3 Chalk Farm 97 Haverstock Hill NW& The Oxford, Kenning Town
Funnys Funny Heat for women, Comedy Knights@The Archangel, London, also Edinburg after
Funny's Funny Edinburgh Fringe Festival in August 2012, Edinburgh 7' great venue
T.R.A.M.P. Ravesburn Arms 
Comedy Lewisham Hight Street 10 minutes! Noisy pub...
Big N Comedy, 172 
– 174 Uxbridge road W12 7JD, 7' Great audience
Club Kaleido Variety 10' the Pipeline 10' paid spotE1 7DA Liverpool St. "Come back!" 
The Finsbury, Julian, Manor House tube station exit 7) 10' Humorous Story Killed "come back" Lion's Den : 10' Headliner "
Silver Comedy London, 10' 2013 'Old folks telling jokes'
"One year in comedy" with Alan Nelson, New Cross, The London Theatre, benefit Alzenheimer: 2x
The cult of comedy, West Ham, E16 4BJ Cranbery Lane, near Star Lane Station
Special Hackling night with Alex MC at Dirty Dicks, Liverpool Station (great gig!)
and many others, I stopped counting after 77 - as I begun at age 77...


Storytelling workshop at Experience French TM club

STORYTELLING workshop with Julie Kertesz, Distinguished Toastmaster. 
Mon 23 March London Starting at 18:45 2 Foley Street W1W - 6DL - Owen Room

Julie is a professional storyteller and will demonstrate how stories enhance all speeches. There will be also be opportunity for you to practice with table topics. The meeting will be in English. You are welcome to join as a guest.

Wonderful Storytelling Workshop! The room was full! Half those from the club with a very warm welcome and half coming from all parts of London. Most important, audience not only listened to each other, but each and every one participated telling their own stories.

You see in this picture taken fast from just a part of the audience, how different each absorb, react, stay. We do collaborate with the audience, let them absorb and add their own experience to our story.


9 recommended books (and others) from my bookshelf

Public speaking is telling stories, using humour, presenting them all together. And conveying an old wisdom in a new way. Here a few of my favourites I studied and read again and again, Each time discovering new nuggets and understanding deeper.

1st where all starts :
The Power of Personal Storytelling, Jack Maguire
Why, how to find, how to shape, how to remember the story parts, embed it in yourself.
- the speaking champion Malachi studied it before going all the way up to Las Vegas
- the renewed education Ambassador and well known workshop leader is studying it now too

2nd, Improving your storytelling, Doug Lipman
About finding "MIT": The Most Important Thing. Explains a lot also of our links between the audience, the story and the teller and relative, different the importance at each telling. Also the different kind of audiences and evenings; the joy of reaching each time the "one" who does needed it.

from my Books for Public Speaking3 th Wired for story, Lisa Cron,
Explains, what we expect from stories. How to hook the reader, delving deeper in "why" we are expecting, why it is important to go deep. Not easy to reach all the goals the book talks abut, but explained clearly what we are "wired for", need from a story.

4rd speak like Churchill, stand like Linkoln by James C. Humes
Secrets of history's great speakers. Easy to read, great "power technique"s. First chapter for example is  "The Power of Pause" that I learned to apply and it does give great results.

5th the Story Factor by Annette Simmons,
Influence and persuade at work through the art of storytelling in the enterprise and workplace. Why, how and what kind of stories to give in companies.

6. Be a great standup, by Logan Murray, London. He is also great workshop leader, I did attend three of his workshops. For all budding amateur comedians, the book explains some important basics, with examples of how to develop a "comedian eye".

7. Standup Comedy, the book by Judy Carter, 
First ever book about standup comedy, some great techniques, basics on humour. She has a chapter on the importance of "top the punch", how to use the punch line and add another to it. Very effective!

8. The naked presenter, Garr Reynolds,
Presenting with or without slides, but opening up going deep into your story. Opening yourself to draw the audience into your speech and your point of view.

9. Resonance, Nancy Duarte
Present visual stories that transform the audience.

Another time, I will add three more book to the list. All these books I read and studied and re-read., they all helped me to progress and added to the total. I am still in need to study them again, as at every stage we understand differently.


"When I was ten the war caught up with me" performed Manchester Town hall

"True Stories with Grant Whisky" at Manchester Town hall with 400/500 audience and two big screens showing the performance so all can see it well.

It was from the beginning a decision to tell this story from the eyes of a ten years old me, and do not relate how I see it now with knowledge not even from what I learned a year later.

Another big decision was to add to it a part about "now" and link it with "holding hands" with the past: that leaves all with a warm feeling and also a non told but important second message.
I changed the publication date in memory of 70 years commemoration of survivors.
Asking Advice
Toastmasters to whom I told this story in my different clubs (it was each time from a project Manual speech), and asked advice, all gave me very useful advices.

Where should I stretch to hold the suspense longer, where should I change my face and make more pause, for example. Joanna Yates, producer of Spark London, helped me a lot to shorten and cut from my long initial beginning where I talked, for this story at least, a lot more of my cousin.

Telling it some other time, perhaps I could add back as different blocks can be taken out usually and added depending of the circumstances. But this story I told so many times that I learned it as is, and last year as I went to give a keynote in AYR, West of Scotland, I met two young women on the train and told them the story. It went so easy and they were fascinated.


Gig at Comedy School (back to perform after 3 years) as special guest

November 2012 after a refreshment workshop with the Comedy School.

I opened the show, alas I was allowed only seven minutes from ten prepared. But of course, one has to adapt each time.

This year I had my ten minutes at "Old folks jokes" but I do not have yet its video recording. And now, 10' also opening at Ivor Dembina's 'you should have listened to Ivor'. Went very well, made those present laugh a lot.

New tips to look for when you look at it the second time.

Listen to how I begin.
First recognising what everyone can see: I am old. (Later, then I am not English, but Hungarian.) It is good to recognise what they see and hear, then of course comes the surprises.

In my case proving that we old are "open minded" surprising those listening with 4 letter words.
Finally, toping by telling the tale about my daughter and she "not being there". That connects to all.

"Toping" is adding to a punch line without necessity to introduce, it also give it a more impromptu feeling. Like you just invented it, now for this audience. I top even more at the end.

Be aware that nor in Comedy or in Storytelling do you have to stick to the exact truth about time, names, durations, for example. It is very important to be "in the moment" - so my daughter really called me - but it was more then a year before, so what? I told it first the day it happened.

It is not important when other then make it seem more "fresh".

I still tell from time to time "I am 77" and it seems sexier year, easier to remember then 78 or 79.

Observe how I finish.
I segue with what come before, "I am a bit out of practice now, but" and 'top" again then give my most outrageous sentence. It work very well every time. But then, I do not stop but top it and top it, usually getting big laughs after laughs for the end. It is best to leave your best working part to the end, your second best at the beginning.

Note, that I found the sentence after six hours of workshop at Camden with Ivor Dembina, who probed deep into what is we do not tell usually because "that is what the audience is interested is enjoying best".  I hesitated for three month until I first tried it out. It does work each time.

Added to the routine (and make it grow with new frustrations)
There are some added parts that come the first here, from frustrations I got recently, just a little before I performed this, November 2012, of my teeth.

I also added the routine about my eyes (is it in this yet?) Later, I found a better way to introduce my Kindle (not in this performance yet). It does get a huge laughter as I talk about "size is import - sometimes" and let the audience think first of something else, as just before it I added a part that is about a message I got on Facebook. (see my later gigs for that).

Observe how I go from one part to the other.
Just before I performed I was told that I have to do only 7 minutes not 10 as I was promised. I had to cut some parts. Because the routine has been made in Parts, I could leave out some. But is is more difficult then as usually I put a word at the end of a routine to trigger in me and remind the next part.

All audience is not as receptive as this was. Sometimes parts go better or less depending whom listens.


Video by Spark London 'Mistaken Identity' night Julie Kertesz true story

First told as registered here, at Canal Cafe for the Spark London 'mistaken identity' this video spokes of change of life and about "we have more in us then we know".  And the telling of how I changed my profession at age 48, changed again my life at 77!

The audience laughed, a lot, why? How may I do when I want them to laugh? I discovered Standup Comedy, took classes, and went to open mic clubs. Got awards and lots of laughter.

Now after 77+ performances? I can tell : I had funny bones I did not know about! Plus at any frustration I now look: how can I present it look at it with comedian eyes.
Will I be able to retell this in only 7 minutes instead of 11? What should I cut? Finaly, they let me tell almost all of the story. 

 Yesterday, March 25, they told me I can cut the first three minutes! I'll try it thus. But I have to add the motivation: 'I want my son back' then later that I did. And perhaps, at the end, mention him again, so the end matches the beginning. Instead of 'microcomputer' use 'personal computer'. Instead of 'cave' use 'cellar in the garden'. 
There is a video from another angle of my performance (one taken by my family and the other by organiser), alas I was more facing the audience then the videographer. 

In fact, I told it first, 4 year ago in the middle of the deep recession, as Mystery Speaker to a Toastmasters club near Victoria Station. At that time the title must have been "think outside the box" to show that we could look at all we know and like not only at a job or profession description of us.

This storytelling November 2010 was a pivotal experience for me, because the audience laughed a lot and I decided to learn how to make humour - when I want!  I found my first Stand Up Comedy Workshop at the Comedy School. Then, the second Standup & Deliver, and then later the same year the third, with David Jones. After then, at age 77 I went out to the Comedy Circuit "at least 20 he told us".

As to now, beginning 2014 I have performed more then 77 times as Standup, and have also given many many other true stories together with other storytellers at Spark.

 One of the "secrets" is to go out not to "win" but to try out something new, challenge yourself to experiment each time something. It is very useful, at least at the beginning to take video and see yourself.

That is how I realised that I run out to fast in Mistaken Identity, I hid from the lights another times, and I realised the next time when I do not hide, fast my eyes get used and I forget about lights in my eyes.

Another time, Johanna told me "you move too much" and yes, again I was to avoid the strong reflectors, next time after my opening sentence I sit down and gave all using voice variety and face. It was a very successful performance: "you looked straight to me when you told the stories!" - I did not tell her that in the dark of the audience I could not see anyone other then the first row.

 Going out like there are our friends, not as we go to the "lions den", and even speaking with some before and becoming nearer is important. After you have spoken, they seem to be nearer you, and you to all audience through them and react more, better.
Go to http://www.youtube.com/user/sparklondon to see other storytellers too!